By César Aira

An magnificent novel from Argentina that may be a meditation at the attractive and the ugly in nature, the artwork of panorama portray, and one event in a man's existence that turned a lightning rod for inspiration.

An Episode within the lifetime of a panorama Painter is the tale of a second within the lifetime of the German artist Johan Moritz Rugendas (1802-1858). significantly well-liked as a grasp panorama painter, he was once urged via Alexander von Humboldt to shuttle West from Europe to checklist the awesome landscapes of Chile, Argentina, and Mexico. Rugendas did in truth turn into the best of the nineteenth-century ecu painters to enterprise into Latin the US. although this isn't a biography of Rugendas. This paintings of fiction weaves a virtually surreal historical past round the mystery goal in the back of Rugendas' journeys to the US: to go to Argentina in an effort to in attaining in paintings the "physiognomic totality" of von Humboldt's clinical imaginative and prescient of the full. Rugendas is confident that basically within the mysterious vastness of the huge plains will he locate precise notion. a short and dramatic stopover at to Mendosa provides him the opportunity to meet his dream. From there he travels instantly out onto the pampas, praying for that very unlikely second, which might come in simple terms at an important pricean nearly monstrously exorbitant expense that might eventually problem his drawing and strength him to create a brand new approach of creating paintings. a wierd episode that he couldn't steer clear of soaking up savagely into his personal physique interrupts the journey and irreversibly and explosively marks him for all times.

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Additional info for An Episode in the Life of a Landscape Painter (New Directions Paperbook)

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After which they lay down to sleep under the starry sky, waiting for the moon, which emerged in due course from behind the silhouette of a phosphorescent peak, putting a stop to their drowsy listing of resolutions and launching them into true sleep. Rugendas and Krause got on well and had plenty to talk about, although both were rather quiet. They had traveled together in Chile a number of times, always in perfect harmony. The only thing that secretly bothered Rugendas was the irremediable mediocrity of Krause's painting, which he was not able to praise in all sincerity, as he would have liked.

Krause undeceived him: that part was real. Those monsters were the poor wretches interned for life in the San Luis hospital. Rugendas was stunned by this, until the onset of the next migraine. What an amazing coincidence! Or correspondence: it suggested that all nightmares, even the most absurd, were somehow connected with reality. He had another memory to recount, different in nature, although related. When they took the stitches out of his face, he was vividly aware of each thread coming loose.

A bird flashed across the empty sky. A cart immobile on the horizon, like a midday star. How could a plain like this be remade? Yet someone would, no doubt, attempt to repeat their journey, sooner or later. This thought made them feel they should be at once very careful and very daring: careful not to make a mistake that would render the repetition impossible; daring, so that the journey would be worth repeating, like an adventure. It was a delicate balance, like their artistic procedure. Once again Rugendas regretted not having seen the Indians in action.

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