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Or otherwise manipulated (provided one has the original file and the software to do so) without changing any other part of the presentation. The separation of elements is even more obvious in Web pages, where not only images, sounds. and videos are separately stored and accessible. but where each page is an individual element as well. in some cases not even created by the original author but produced by someone else and presented as an external link. Digital storage media are not the only environments that offer hypermediated interactive experiences.

In the case of singing, Brecht demanded a specific attitude from his performers: Nothing is more revolting than when the actor pretends not to notice that he has left the level of plain speech and started to sing. The three levels plain speech, heightened speech and singing - must always remain distinct and in no case should heightened speech represent an intensification of plain speech, or singing of heightened speech. In no case therefore should singing take place where words are prevented by excess of feeling.

He understood that it is not just the technological possibility (the opportunity to interacl with the medium) itself that makes media function in a poiitically responsible way, but that there must be artistic intervention, didactic interference, and a readiness to discard or violate existing conventions. Brecht's artisric undertaking was from the very beginning focused on a radical transfonnation of an existing institution, the theatre, which was to become part of the "'ideological superstructure' for a solid, practical rearrangement of our age's way of life" (Brecht 23).

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